Posted: April 12, 2011 at 2:49 pm
Since I need to reuse some of the same assignment posts, I will be archiving your content here over the summer break. If you would like access to all the fabulous content you’ve created this semester, then please export your Pop Academy blog content to your own blog site by July. I recommend a free site like WordPress.com or Blogger. When logged in, please scroll to Tools in your Dashboard and select Export. Click Download Export File. You will then be able to save the XML file that downloads and then import it based on the guidelines of your own blog site. WordPress.com is of course the easiest since it’s basically the same format as what you’ve been using here.

Posted: April 12, 2011 at 2:27 pm

The final exam will not function like the mid-term, in that there will be no multiple choice questions, only essay questions. You will be allowed to use your notes but NOT the readings. Questions will interrogate your understanding and application of the following theories:
Post-structuralism
Feminism
Critical race
Postmodernism
You should be familiar with how the authors applied, built and questioned critical theory in their particular pop culture texts:
The Real World
Talks shows
Jennifer Lopez
Run’s House
Snoop Dogg’s Father Hood
Science Fiction
The Daily Show
The Colbert Report
Paris Hilton
Tattoo culture
Revisit each assigned article to identify the key critical theoretical arguments and how the authors further our understanding of popular culture texts today. Define key terms and think of applications in other contexts (for example, comparing Paris Hilton to Snooki or Run’s House to The Game). You should be able to make connections across readings.
Review your notes on class examples, such as raunch culture, Jersey Shore, Daily Show, Saturday Night Live, Chappelle’s Show and Community.
Skim back through classmates’ blogs for fresh ideas and jot down your own reflections/comments in your notebook.
You will be allowed ONLY your notes, an essay blue book and a pen/cil. Bring all three items on exam day, please, as I will not have extras.
The 4 p.m. section exam is scheduled for Tuesday of exam week at 2 p.m.
The 5:30 p.m. section exam is scheduled for that Thursday at 5 p.m.
Each section will have two and a half hours to complete exams.
Posted: April 5, 2011 at 8:48 am | Tags: comm326

For your final blog post please examine the postmodern approach of Jeffrey Sconce (2007) in his analysis of Paris Hilton and Sonja Modesti’s (2008) look at tattoo parlors as postmodern spaces. While you should look closely at the practice of postmodern theory, other theories and concepts we’ve discussed on the blog are surely at play, so feel free to include those in your posts. Due by 11:59 p.m., Monday, April 11, with comments due by class time April 14.
Posted: March 31, 2011 at 10:43 am | Tags: postmodernism
For your next graded blog assignment, please consider the following postmodern topics:
metanarratives
difference/plurality
pastiche
nostalgia
convergence
simulacrum
hyperrealism
utopia

I’m not asking you to define all of these in your post, as we haven’t covered them all yet, nor are they all used in Colletta’s (2009) essay on political satire. However, we will cover them in class across the two days specified for postmodernism. Should you see the concepts mentioned in the next few readings, please take note. You might also look up the terms to get ahead of the game and be prepared for class discussion.
We’ve already used satire to discuss critical race concepts. Now we’re looking more closely at the political landscape. I look forward to your original ideas, due at 10 a.m., Tuesday, April 5 (thank you NCAA Final Four), with comments due by class time Thursday, April 7.
Posted: March 24, 2011 at 7:36 pm | Tags: critical race theory

Please excuse the sound of my puppy chewing on his bone in the background of this audio clip of critical race theory relevant to next week’s readings. (In the clip I refer to readings you don’t have but the ideas might be helpful as you craft your post.) Ah, the joys of working from home. The essay by Adilifu Nama (2009) does a fantastic job summarizing Black representation in the science fiction film genre. The essay by Debra Smith (2008) makes black fatherhood in reality TV the focus of critical analysis. Be sure to reflect on both in your blog post, due by 11:59 p.m., Monday night, March 28, with comments due by class time Thursday, March 31.
Gray, H. (2000). The politics of representation in network television. In H. Newcomb (Ed.), Television: The critical view (6th ed.). New York: Oxford University Press.
Posted: March 24, 2011 at 3:55 pm | Tags: comm326, critical race theory, satire
Saturday Night Live (Season 1!!!): Richard Pryor and Chevy Chase, Word Association
Saturday Night Live, White Like Me
Chapelle’s Show, The Racial Draft
The Daily Show, Black is In
Saturday Night Live, The Blackness Scale
The Daily Show, Race Card is Maxed Out
The Daily Show, Mark Twain Controversy
The Daily Show, Deadliest Snatch
Chris Brown on Good Morning America via The View
CNN coverage of Chris Brown on GMA
Actual GMA interview with Chris Brown
Please be prepared to take notes and/or tweet (whichever you prefer) during these in-class viewings. For example, you’ll want to take note of how the clips work for and/or against the idea of the discourse of a post-racial society from today’s readings and essentializing race and the other concepts from next week’s readings. We may not get to view all the clips listed here, but feel free to view on your own.
Posted: March 15, 2011 at 5:42 pm | Tags: comm326
Both articles for Tuesday, March 22, discuss the idea of hybridity. While one essay examines talk shows and the other Jennifer Lopez, try to work in references to both readings in your post (due at 11:59 p.m., Monday, March 21 with comments due by class time Thursday, March 24). You might discuss pop culture genres similar to the talk shows in Cragin’s article. For those of you who watch American Idol, how has Jennifer Lopez’s hybrid star image changed, if any, since Shugart’s essay was published in 2007? Happy blogging.

Posted: March 10, 2011 at 4:36 pm | Tags: Althusser, Foucault
Althusser identifies the difference between Repressive State Apparatuses that rule by force (fascist governments or police states for example) and those Ideological State Apparatuses (religion, education, media, etc.) that interpellate us into cultural discourse who identify with the narrative at hand. Ideology, according to Althusser, can only function because we allow it to. We often don’t question the policies and people in positions of power in these social institutions. As such, we’re always already limited by the ideologies fostered by the courts, schools, newspapers and so on. How then, if Althusser is explaining ideological structures, can he be positioned as a post-structuralist? In short, because he encourages us to question the liminal space of these shifting structures, and moreover, our own role in accepting the identities formed by these structures, he’s considered part of the post-structuralist movement with folks like Derrida and Foucault.

Foucault, above all, is concerned with power, but not in the way that we’ve typically discussed it. He doesn’t see power as negative force that represses us like in the RSAs and ISAs. He sees the potential of the productive in power structures in that we can resist. Power is inherent from all angles, above, below, sideways. It can be explained as a web or a panopticon, among other metaphors, that de-centers and destabilizes relations of hierarchy and control. Foucault uses discourse to explain the multi-vocal nature of power that encourage some thought and limit others. Discourse, whether textual, imagistic, or rhetorical, produces power. We, then, produce power, as well as receive it. How do these power relationships take place in our daily lives? How are we both limited by yet resist ideological representational structures of popular culture? Let’s use sports as our example this time. Think of images of the body and athleticism in a sport of your choice–or you could pick a particular athlete. How do power forces mold this athletes’ body or the bodies of that sport in general. How do athletic bodies resist these pressures? What is the impact on/relationship to spectators at home or in the crowd? Use your individual blog and Twitter to respond. Original posts due by midnight before March 15′s class, with comments due by March 17′s class. *Remember that you have the Consuming the Fractured Female reading, which you can tie into your blog post since in that article women’s bodies are the point of (post-)structural analysis.
Posted: March 10, 2011 at 4:35 pm | Tags: comm326

Since I’ve been reading your writing all term, it’s only fair you look at a sample of my own pop culture critique. For your sixth scheduled blog post, you’ll be reading an essay on the Real World where I examine the construction and consumption of femininity on the long-running MTV reality series. Since I use post-structuralist and feminist theories (along with other critical theories in the rhetorical and media studies literature), I hope this article provides an example of how to combine different approaches of critical theory. Please do not hold back in your analysis. I won’t take points off if you disagree with my analysis. In fact, I encourage productive dialogue on the subject. See the next post for a more specific lead-in to your assignment.
Posted: February 24, 2011 at 2:58 pm | Tags: comm326, news, power
While a a bit kitschy, this YouTube Foucault mash-up is helpful for introducing his concepts of the self, power, and surveillance society:
Given the sad events related to identity, suicide and privacy at Rutgers University last year, let’s try to learn from it and theorize from this week’s readings in ways that might improve the discourse.
Early ABC News coverage offered a basic summary of Clementi’s suicide, while a follow-up story by CBS News for their Sunday Morning brand framed his death as a mental health issue. This address from Ellen DeGeneres is another, more compassionate approach Also, LGBT activist Sherry Wolf shares suggestions for learning from Clementi’s senseless death.
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